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Studio quality:
In
a simple-to-use pedal. |
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Tough, Durable and “road ready”. |
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- True
Bypass Switching. |
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Attack |
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The
Mirage attack time is less than half a millisecond. |
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That translates to one half cycle of the highest note on a 24 fret
guitar. |
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The attack begins clamping at the moment the pick makes contact with
the string. |
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Totally inaudible attack time! |
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To the signal above 1 kHz the Mirage acts more like a limiter.
This
allows the
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natural harmonics to pass untainted while limiting any high
frequency transient spikes. |
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Attack knee |
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The Mirage compression follows the natural envelope of the musical
source. |
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No soft knee is needed to compensate for poor attack time. |
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Sustain/Release |
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The Mirage provides smooth sustain through the release without the |
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artificial sounding aggressive gain compensation as many compressors
use. |
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As the musical note fades, the Mirage “reads” the envelope and
contours the release smoothly. |
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Coloration and Transparency |
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"Is it on?"
The Mirage linearity is virtually flat <1db variation from
20 Hz to 8 kHz. |
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There is no induced coloration, distortion, hair, fuzz, or EQ to the
signal. |
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The Mirage transparency is such that it will also work well with
acoustic instruments guitars, |
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mandolins etc.
Acoustic
sparkle is actually enhanced! |